At first glance of Nikolay Gogols novel The Overcoat, one would exactly see a short story about a poor composition wishing to survive in a cruel world. However, in looking further into the story, deep imageism stub be found. Gogol lived in Russia during the rise of the communist party, and was a keen dissident of communism. He believed the undeniable end of a communist regimen was total failure. He besides criticized the other authorities of the world for failing to aid Russia in its quest for a better system. Gogol used his creative mind and his writing abilities to show out against the evils of the Russian government. He used figureism to attest his points, and often risked deport by his own government for expressing such(prenominal) radical views. umteen different objects in The Overcoat fuck be mirrored with the objects of certain life. Everything from Akaky Akakyevitchs coat, to his administrator is used by Gogol to exemplify the situation of Russia during Gogols time. In truth, the Russian government was against the free-thinking musical composition, and so was against Gogol.         Akaky himself is used as a symbol of the Russian people. The communists were against any sort of free-thinking, and respected any spell who performed his duties without question. Akaky is described in the story as being a quiet, hard-working man.
He keeps mostly to himself, having very little to do with the outback(a) world. His integral life centers around his profession. Akakys life changes only after he buys his in the raw overcoat. The overcoats in the story symbolize differ! ent governments. Akakys original dressing jacket, is the Russian government in force before communism took over. The government, equal the overcoat, once served its purpose, but is promptly worn thin and postulate a replacement. The original subterfuge of the coat cannot even... If you want to get a full essay, cabaret it on our website:
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